#TEST TONE GENERATOR FL STUDIO GENERATOR#
#TEST TONE GENERATOR FL STUDIO MOD#

вЂ“ Transient high frequency вЂ“ high frequency part of transient / pick and gentle clicky start of bass. вЂ“ Transient pick вЂ“ more low to mid percussive transients / picks вЂ“ Transient filtering frequency and resonance вЂ“ to change tone of pick / transient part

#TEST TONE GENERATOR FL STUDIO MOD#

вЂ“ Perc mod amount вЂ“ amount of modulation. вЂ“ Transient start and length вЂ“ to modify start and length of transient / pick.

#TEST TONE GENERATOR FL STUDIO GENERATOR#

вЂ“ Transient / Pick generator вЂ“ to generate percussive / transient / mid-high frequency part of bass. вЂ“ Bass volume: to control amount of bass / sub-bass part вЂ“ Bass filter: Bass filter cutoff, Bass filter resonance length, Bass mod duration, Bass mod amount вЂ“ Parameters to modify shape of bass and its tone: Bass mod. вЂ“ Parameters: Bass fine tune, octave selector вЂ“ Bass generator вЂ“ bass / sub-bass part of bass algorithm, It is important to find balance between tone, kick, bass and tempo in electronic dance music especially psytrance and hitech. This is well known secret of psy bass design which not all producers know. Use only linear phase EQ to cut sub bass 20 Hz of kick and bass вЂ“ not classic EQs to cut, because they create phase issues.

Some are for faster tempos other for slower. Some presets are designed for C5 notes some for D, E, F etc. So try presets in different combinations. One bass sounds perfect alone but not good with one kick while sounds ultra perfect with another kick.Дifferent bass / Preset sounds different with different tempo 130 to 190 BPMДЄlso some bass sounds different on different note C, D, E etc. Some combination sounds perfect and some not so good. So please try to use different kick samples with different basslines / presets. Type of kick affects tone of bass, because tail of kick and bass is sometimes layered little bit also if you use sidechain and because bass woofer must perform similar low frequencies very fast.

So please use side chaining technique to eliminate layering of kick and bass together, which usually creates problems with sound (classic compressor kick/bass sidechaining technique or LFO tool sidechaining). Please note, that tail of kick affects bass. It is especially important in fast bpm genres like hitech, psycore, fullon, darkpsy, techno, electro, progressive etc. It creates new kind of bass, better than classic methods, like creating bass from saw wave in classic substractive VA synthesizer. This algorithm creates new approach to classic electronic bassline design. HBS1 Algorithm consist of 2 parts: one is Bass generator вЂ“ creating bass or sub-bass part of bassline by special technique and next is pick / transient generator to create percussive / transient mid and high frequency part of bassline. That is why we designed special synthesizer designed for psychedelic basslines.

They also produce clicks, cracks, phase issues, layering of sub-bass tail of bass, disharmony with kick drum bass tail etc. Analog and virtual analog synths are unstable changing its sound and parameters in time. While VA synths do not have stable sound, because they are designed to emulate analog synths and have musical tone. Works perfect with psycore, darkpsy / forest night psytrance, fullon, progressive, techno etc.Д¬lassic virtual analog synthesizers are usually not suitable for psytrance or hitech bass, because you need extremely fast and stable bass. Hitech Bass HBS1 synthesizer uses advanced physical and digital modeling algorithms to create unique type of bass which works perfect with fast 180 BPM of hitech tracks without clicks and phasing problems. This is not next classic (and boring) saw wave type bass, because proper hitech / darkpsy bass should not be simple sawooth. Description Eplex7 DSP Hitech Bass HBS1 advanced physical and digital modeling bassline plugin synthesizer

Test tone generator fl studio